Box 168

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.

In 2004, the Philadelphia Museum of Art's collection was featured in Grandi disegni italiani (Italian Master Drawings), a series published by Arti Grafiche Amilcare Pizzi S.p.A. in Milan that introduces and encapsulates the hodings of museum collections throughout the world. To celebrate the occasion, Ann Percy organized an exhibition of the works presented in the publication.

Smith Kramer Fine Art Services organized an exhibition of sixty black-and-white photographs by Greg MacGregor of points along the Lewis and Clark Trail, made over a six-year period in the 1990s. Katherine Ware installed the exhibition in Philadelphia.