Box 167
Contains 15 Results:
General, 2003-2004
Katherine Ware selected nearly ninety photographs from the The Michael Hoffman Tribute Collection, which was donated to the Museum in 2003. Hoffman was Adjunct Curator of Photographs at the Philadelphia Museum of Art from 1968 to 1998 and is known for his work at the helm of the nonprofit Aperture Foundation, where he was executive director from 1965 to 2001.
Opening events, 2004
Katherine Ware selected nearly ninety photographs from the The Michael Hoffman Tribute Collection, which was donated to the Museum in 2003. Hoffman was Adjunct Curator of Photographs at the Philadelphia Museum of Art from 1968 to 1998 and is known for his work at the helm of the nonprofit Aperture Foundation, where he was executive director from 1965 to 2001.
General, 1999-2004
Michael Taylor organized an exhibition of some fifty objects by Jacques Lipchitz following the generous gift of five sculptures presented by the Jacques and Yulla Lipchitz Foundation to the Museum in honor of the 125th anniversary. The exhibition traced the development of Lipchitz's art as represented in the Museum's holdings and selected objects from local area private collections, as well as some related works by other artists.
Exhibition checklist, 2004
Michael Taylor organized an exhibition of some fifty objects by Jacques Lipchitz following the generous gift of five sculptures presented by the Jacques and Yulla Lipchitz Foundation to the Museum in honor of the 125th anniversary. The exhibition traced the development of Lipchitz's art as represented in the Museum's holdings and selected objects from local area private collections, as well as some related works by other artists.
Funding, 2003-2004
Michael Taylor organized an exhibition of some fifty objects by Jacques Lipchitz following the generous gift of five sculptures presented by the Jacques and Yulla Lipchitz Foundation to the Museum in honor of the 125th anniversary. The exhibition traced the development of Lipchitz's art as represented in the Museum's holdings and selected objects from local area private collections, as well as some related works by other artists.
Opening events, 2004
Michael Taylor organized an exhibition of some fifty objects by Jacques Lipchitz following the generous gift of five sculptures presented by the Jacques and Yulla Lipchitz Foundation to the Museum in honor of the 125th anniversary. The exhibition traced the development of Lipchitz's art as represented in the Museum's holdings and selected objects from local area private collections, as well as some related works by other artists.
Public relations, 2004
Michael Taylor organized an exhibition of some fifty objects by Jacques Lipchitz following the generous gift of five sculptures presented by the Jacques and Yulla Lipchitz Foundation to the Museum in honor of the 125th anniversary. The exhibition traced the development of Lipchitz's art as represented in the Museum's holdings and selected objects from local area private collections, as well as some related works by other artists.
General, 2002-2005
Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.
General. Seattle, 2002-2004
Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.
Contract, 2002-2004
Drawn primarily from the collections of the Seattle Art Museum, some 130 objects, including sculpture, masks, textiles, jewelry, photographs, film, and contemporary art were organized into thematic categories described by representatives from various African cultures and backgrounds. This exhibition was organized by the Seattle Art Museum and coordinated in Philadelphia by John Zarobell.