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Box 146

 Container

Contains 17 Results:

Opening events, 1998-1999

 File — Box: 146, Folder: 1
Scope and Content Note From the Sub-Series:

Organized jointly by the Philadelphia Museum of Art and The Menil Collection in Houston, Texas, this exhibition includes some 40 works by Joseph Cornell and Marcel Duchamp. The two artists collaborated on projects and shared several of the same interests, including film, optics, glass, games, and the "portable museum."

Dates: 1998-1999

Tour, 1996-1999

 File — Box: 146, Folder: 2
Scope and Content Note From the Sub-Series:

Organized jointly by the Philadelphia Museum of Art and The Menil Collection in Houston, Texas, this exhibition includes some 40 works by Joseph Cornell and Marcel Duchamp. The two artists collaborated on projects and shared several of the same interests, including film, optics, glass, games, and the "portable museum."

Dates: 1996-1999

General, 1998

 File — Box: 146, Folder: 3
Scope and Content Note From the Sub-Series:

Sir Terence Conran, Britain's best-known figure in design, home furnishing, and retailing, was the recipient of the 1999 Design Excellence Award from Collab, a group of design professionals who support the Museum's Modern and Contemporary design collections. Kathryn Bloom Hiesinger organized an installation of cutting-edge British designs personally selected by Conran.

Dates: 1998

General, 1997-1998

 File — Box: 146, Folder: 4
Scope and Content Note From the Sub-Series:

Carl Strehlke organized an exhibition that offered North American audiences the rare opportunity to see a nearly complete Renaissance altarpiece. This installation featured a full reconstruction of a design by Gherardo Starnina from a Renaissance church in Lucca, Italy.

Dates: 1997-1998

Budget, 1997-1998

 File — Box: 146, Folder: 5
Scope and Content Note From the Sub-Series:

Carl Strehlke organized an exhibition that offered North American audiences the rare opportunity to see a nearly complete Renaissance altarpiece. This installation featured a full reconstruction of a design by Gherardo Starnina from a Renaissance church in Lucca, Italy.

Dates: 1997-1998

Funding. Credits, 1998

 File — Box: 146, Folder: 6
Scope and Content Note From the Sub-Series:

Carl Strehlke organized an exhibition that offered North American audiences the rare opportunity to see a nearly complete Renaissance altarpiece. This installation featured a full reconstruction of a design by Gherardo Starnina from a Renaissance church in Lucca, Italy.

Dates: 1998

Funding. Weiss, 1998

 File — Box: 146, Folder: 7
Scope and Content Note From the Sub-Series:

Carl Strehlke organized an exhibition that offered North American audiences the rare opportunity to see a nearly complete Renaissance altarpiece. This installation featured a full reconstruction of a design by Gherardo Starnina from a Renaissance church in Lucca, Italy.

Dates: 1998

Registrarial, 1997

 File — Box: 146, Folder: 8
Scope and Content Note From the Sub-Series:

Carl Strehlke organized an exhibition that offered North American audiences the rare opportunity to see a nearly complete Renaissance altarpiece. This installation featured a full reconstruction of a design by Gherardo Starnina from a Renaissance church in Lucca, Italy.

Dates: 1997

General, 1994-1997

 File — Box: 146, Folder: 9
Scope and Content Note From the Sub-Series:

The National Museum of Modern Art in Tokyo and the Philadelphia Museum of Art had scheduled an exhibition surveying the work of Marcel Duchamp for 1999, but the show was never realized.

Dates: 1994-1997

Contract, 1997

 File — Box: 146, Folder: 10
Scope and Content Note From the Sub-Series:

The National Museum of Modern Art in Tokyo and the Philadelphia Museum of Art had scheduled an exhibition surveying the work of Marcel Duchamp for 1999, but the show was never realized.

Dates: 1997