Box 119
Contains 21 Results:
Venturi exhibition, 1994-1995
Venturi exhibition. Installation. Photographs, 1994
Work meetings, 1994-1995
General, 1995-1997
This subseries contains documentation for a number of film programs were installed in the Video Gallery from 1994 to 1997.
[General], 1994-1995
The Museum of Modern Art and the American Federation of Arts in New York organized an exhibition of video art produced between 1967 and 1992, and the Philadelphia Museum of Art hosted the exhibition as the inaugural program of the Video Gallery.
[General], 1994
A selection of 40 life castings by Willa Shalit were exhibited in the Education Corridor in conjunction with BODYWORKS, a citywide celebration of art and disability.
General. 1:2, 1993-1995
The Newark Museum, working in conjunction with The American Federation of Arts, organized an exhibition of over 100 prints, selected from the 3,500 prints assembled by Reba and Dave Williams, reflects the rich variety of techniques, subjects, and philosophical approaches adopted by African American artists in the 1930s and 1940s.
General. 2:2, 1993-1995
The Newark Museum, working in conjunction with The American Federation of Arts, organized an exhibition of over 100 prints, selected from the 3,500 prints assembled by Reba and Dave Williams, reflects the rich variety of techniques, subjects, and philosophical approaches adopted by African American artists in the 1930s and 1940s.
Contract, 1993-1994
The Newark Museum, working in conjunction with The American Federation of Arts, organized an exhibition of over 100 prints, selected from the 3,500 prints assembled by Reba and Dave Williams, reflects the rich variety of techniques, subjects, and philosophical approaches adopted by African American artists in the 1930s and 1940s.
Funding. Credits, 1994
The Newark Museum, working in conjunction with The American Federation of Arts, organized an exhibition of over 100 prints, selected from the 3,500 prints assembled by Reba and Dave Williams, reflects the rich variety of techniques, subjects, and philosophical approaches adopted by African American artists in the 1930s and 1940s.