Box 97

Scope and Content Note From the Sub-Series: Guest Curator Jean Sutherland Boggs worked in collaboration with Marie-Laure Bernadac, Ann Temkin, and William H. Robinson to bring together over 100 paintings, reliefs, constructions, collages, drawings, and sculptures from museums and private collections throughout the world created by Pablo Picasso between 1901 and 1969. The exhibition was organized by The Cleveland Museum of Art in collaboration with the Philadelphia Museum of Art and the Reunion des Musees Nationaux, Paris. It was made...

Scope and Content Note From the Sub-Series: Guest Curator Jean Sutherland Boggs worked in collaboration with Marie-Laure Bernadac, Ann Temkin, and William H. Robinson to bring together over 100 paintings, reliefs, constructions, collages, drawings, and sculptures from museums and private collections throughout the world created by Pablo Picasso between 1901 and 1969. The exhibition was organized by The Cleveland Museum of Art in collaboration with the Philadelphia Museum of Art and the Reunion des Musees Nationaux, Paris. It was made...

Scope and Content Note From the Sub-Series: Guest Curator Jean Sutherland Boggs worked in collaboration with Marie-Laure Bernadac, Ann Temkin, and William H. Robinson to bring together over 100 paintings, reliefs, constructions, collages, drawings, and sculptures from museums and private collections throughout the world created by Pablo Picasso between 1901 and 1969. The exhibition was organized by The Cleveland Museum of Art in collaboration with the Philadelphia Museum of Art and the Reunion des Musees Nationaux, Paris. It was made...

Scope and Content Note From the Sub-Series:

In 1987, the PMA was awarded a grant from the National Endowment for the Humanities to begin work on an exhibition entitled "The Art of Science: Natural History Illustration in Philadelphia, 1750-1840". The show was to be organized by Amy Meyer, a guest curator affiliated with the Huntington Museum, but it never came to fruition.

Scope and Content Note From the Sub-Series:

In 1987, the PMA was awarded a grant from the National Endowment for the Humanities to begin work on an exhibition entitled "The Art of Science: Natural History Illustration in Philadelphia, 1750-1840". The show was to be organized by Amy Meyer, a guest curator affiliated with the Huntington Museum, but it never came to fruition.

Scope and Content Note From the Sub-Series:

In 1987, the PMA was awarded a grant from the National Endowment for the Humanities to begin work on an exhibition entitled "The Art of Science: Natural History Illustration in Philadelphia, 1750-1840". The show was to be organized by Amy Meyer, a guest curator affiliated with the Huntington Museum, but it never came to fruition.

Scope and Content Note From the Sub-Series:

In 1987, the PMA was awarded a grant from the National Endowment for the Humanities to begin work on an exhibition entitled "The Art of Science: Natural History Illustration in Philadelphia, 1750-1840". The show was to be organized by Amy Meyer, a guest curator affiliated with the Huntington Museum, but it never came to fruition.

Scope and Content Note From the Sub-Series:

In 1987, the PMA was awarded a grant from the National Endowment for the Humanities to begin work on an exhibition entitled "The Art of Science: Natural History Illustration in Philadelphia, 1750-1840". The show was to be organized by Amy Meyer, a guest curator affiliated with the Huntington Museum, but it never came to fruition.

Scope and Content Note From the Sub-Series:

In 1987, the PMA was awarded a grant from the National Endowment for the Humanities to begin work on an exhibition entitled "The Art of Science: Natural History Illustration in Philadelphia, 1750-1840". The show was to be organized by Amy Meyer, a guest curator affiliated with the Huntington Museum, but it never came to fruition.