Box 79
Container
Contains 19 Results:
Opening events. Guest list. Development, 1989
File — Box: 79, Folder: 1
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989
Opening events. Subscription income, 1989
File — Box: 79, Folder: 2
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989
Public relations/printed materials, 1988-1989
File — Box: 79, Folder: 3
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Registraral. Indemnity application, 1988-1989
File — Box: 79, Folder: 4
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Registraral. Loans, 1989
File — Box: 79, Folder: 5
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989
General, 1989-1990
File — Box: 79, Folder: 6
Scope and Content Note
From the Sub-Series:
Lawrence W. Nichols organized a small exhibition of Rubens' oil sketches from the Johnson Collection, providing an in-depth exploration of one of the early stages in the artist's creative process.
Dates:
1989-1990
General, 1989-1990
File — Box: 79, Folder: 7
Scope and Content Note
From the Sub-Series:
Sponsored by Samuel S. Fleisher Art Memorial, in collaboration with the Mummers Museum, the Liberty Belle Cape, a trousseau gift for Lady Liberty made to monumental scale, was created as part of Miralda's "The Honeymoon Project." Based upon the theme of the symbolic courtship and marriage of the Statue of Liberty to the Columbus Column in Barcelona's harbor, Miralda created a series of installations, performances, and exhibitions in celebration of the 500th anniversary of Columbus' voyage to...
Dates:
1989-1990
General, 1989
File — Box: 79, Folder: 8
Scope and Content Note
From the Sub-Series:
Marge Kline selected some 187 works by 53 African American artists from the permanent collection for this exhibition.
Dates:
1989
Addresses, 1993
File — Box: 79, Folder: 9
Scope and Content Note
From the Sub-Series:
Marge Kline selected some 187 works by 53 African American artists from the permanent collection for this exhibition.
Dates:
1993
General, 1989-1990
File — Box: 79, Folder: 10
Scope and Content Note
From the Sub-Series:
Innis Howe Shoemaker organized a small exhibition of figure drawings from the permanent collection.
Dates:
1989-1990