Box 78
Container
Contains 17 Results:
Funding. Janet Fleisher, 1989
File — Box: 78, Folder: 11
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989
Funding. Maguire Thomas, 1989
File — Box: 78, Folder: 12
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989
Funding. West Coast Video, 1988
File — Box: 78, Folder: 13
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988
Installation. Contract, 1987-1989
File — Box: 78, Folder: 14
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1987-1989
Opening events, 1989
File — Box: 78, Folder: 15
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989
Opening events. Correspondence with Jerry Gold, 1989-1990
File — Box: 78, Folder: 16
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989-1990
Opening events. Dinner reception, 1986-1989
File — Box: 78, Folder: 17
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1986-1989