Box 78
Container
Contains 17 Results:
Contract, 1988-1989
File — Box: 78, Folder: 4
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Budget/funding, 1988-1989
File — Box: 78, Folder: 1
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Catalogue, 1988-1989
File — Box: 78, Folder: 2
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Conservation, 1987-1990
File — Box: 78, Folder: 3
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1987-1990
Education and programs, 1988-1989
File — Box: 78, Folder: 5
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Exhibition, 1988
File — Box: 78, Folder: 6
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988
Film, 1988-1989
File — Box: 78, Folder: 7
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Funding. Bohen Foundation, 1990
File — Box: 78, Folder: 8
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1990
Funding. Corporate, 1988-1989
File — Box: 78, Folder: 9
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1988-1989
Funding. Credits, 1989
File — Box: 78, Folder: 10
Scope and Content Note
From the Sub-Series:
Named after one of Man Ray's final works, produced in Paris in 1971, "Perpetual Motif" featured over 250 works spanning the artist's entire career. Merry A. Foresta organized this exhibition for the National Museum of American Art at the Smithsonian Institution in Washington D.C., and it later traveled to the Philadelphia Museum of Art under the curatorial supervision of Ann Temkin. Along with the Smithsonian Instituion's Special Exhibition Fund, additional support was provided by the...
Dates:
1989