Box 67

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series:

Darrel Sewell, Curator of American Art, organized an exhibition surveying one hundred years of the Fairmount Waterworks and its impact on the artistic and scientific imagination. Some 150 objects dating from 1812 to 1911 were on display, depicting the waterworks through paintings, watercolors, prints, and photographs.

Scope and Content Note From the Sub-Series:

Darrel Sewell, Curator of American Art, organized an exhibition surveying one hundred years of the Fairmount Waterworks and its impact on the artistic and scientific imagination. Some 150 objects dating from 1812 to 1911 were on display, depicting the waterworks through paintings, watercolors, prints, and photographs.

Scope and Content Note From the Sub-Series:

Darrel Sewell, Curator of American Art, organized an exhibition surveying one hundred years of the Fairmount Waterworks and its impact on the artistic and scientific imagination. Some 150 objects dating from 1812 to 1911 were on display, depicting the waterworks through paintings, watercolors, prints, and photographs.

Scope and Content Note From the Sub-Series:

Darrel Sewell, Curator of American Art, organized an exhibition surveying one hundred years of the Fairmount Waterworks and its impact on the artistic and scientific imagination. Some 150 objects dating from 1812 to 1911 were on display, depicting the waterworks through paintings, watercolors, prints, and photographs.