Box 64

Scope and Content Note From the Sub-Series:

The Douglas Cooper Collection and the Kunstmuseum Basel organized an exhibition of some 80 works on paper primarily dating from 1906 to 1914 by notable Cubist artists. After touring to the Tate Gallery in London, this exhibition made its only U.S. appearance at the Philadelphia Museum of Art in the summer of 1988. Dorothy Kosinski curated the exhibition, and Ann Temkin installed it in Philadelphia.

Scope and Content Note From the Sub-Series:

The Douglas Cooper Collection and the Kunstmuseum Basel organized an exhibition of some 80 works on paper primarily dating from 1906 to 1914 by notable Cubist artists. After touring to the Tate Gallery in London, this exhibition made its only U.S. appearance at the Philadelphia Museum of Art in the summer of 1988. Dorothy Kosinski curated the exhibition, and Ann Temkin installed it in Philadelphia.

Scope and Content Note From the Sub-Series:

The Douglas Cooper Collection and the Kunstmuseum Basel organized an exhibition of some 80 works on paper primarily dating from 1906 to 1914 by notable Cubist artists. After touring to the Tate Gallery in London, this exhibition made its only U.S. appearance at the Philadelphia Museum of Art in the summer of 1988. Dorothy Kosinski curated the exhibition, and Ann Temkin installed it in Philadelphia.

Scope and Content Note From the Sub-Series:

The Douglas Cooper Collection and the Kunstmuseum Basel organized an exhibition of some 80 works on paper primarily dating from 1906 to 1914 by notable Cubist artists. After touring to the Tate Gallery in London, this exhibition made its only U.S. appearance at the Philadelphia Museum of Art in the summer of 1988. Dorothy Kosinski curated the exhibition, and Ann Temkin installed it in Philadelphia.

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...

Scope and Content Note From the Sub-Series: Mark Rosenthal, Curator of Twenthieth Century Art, organized a survey of Jasper Johns' work between 1974 and 1988 for the United States Pavilion of the 43rd Venice Biennale. Following the summer exhibition in Venice, the show was installed in Philadelphia throughout the fall and winter. Some 21 paintings and 10 drawings and watercolors were brought together through the generous financial support of the International Festival Fund for U.S. Artists, the Bohen Foundation, and an indemnity from...