Box 64

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

The Douglas Cooper Collection and the Kunstmuseum Basel organized an exhibition of some 80 works on paper primarily dating from 1906 to 1914 by notable Cubist artists. After touring to the Tate Gallery in London, this exhibition made its only U.S. appearance at the Philadelphia Museum of Art in the summer of 1988. Dorothy Kosinski curated the exhibition, and Ann Temkin installed it in Philadelphia.

The Douglas Cooper Collection and the Kunstmuseum Basel organized an exhibition of some 80 works on paper primarily dating from 1906 to 1914 by notable Cubist artists. After touring to the Tate Gallery in London, this exhibition made its only U.S. appearance at the Philadelphia Museum of Art in the summer of 1988. Dorothy Kosinski curated the exhibition, and Ann Temkin installed it in Philadelphia.

The Douglas Cooper Collection and the Kunstmuseum Basel organized an exhibition of some 80 works on paper primarily dating from 1906 to 1914 by notable Cubist artists. After touring to the Tate Gallery in London, this exhibition made its only U.S. appearance at the Philadelphia Museum of Art in the summer of 1988. Dorothy Kosinski curated the exhibition, and Ann Temkin installed it in Philadelphia.