Box 62

Scope and Content Note From the Sub-Series: The first Anselm Kiefer retrospective to tour the United States was jointly organized by the Philadelphia Museum of Art and the Art Institute of Chicago, followed by exhibitions in Los Angeles and New York. Mark Rosenthal, Curator of Twentieth Century Art, co-curated the exhibition with A. James Speyer and Neal Benezra of Chicago, selecting approximately 70 works, ranging from painting and sculpture to books and photography. The exhibition was supported through grants from the Ford Motor...

Scope and Content Note From the Sub-Series: The first Anselm Kiefer retrospective to tour the United States was jointly organized by the Philadelphia Museum of Art and the Art Institute of Chicago, followed by exhibitions in Los Angeles and New York. Mark Rosenthal, Curator of Twentieth Century Art, co-curated the exhibition with A. James Speyer and Neal Benezra of Chicago, selecting approximately 70 works, ranging from painting and sculpture to books and photography. The exhibition was supported through grants from the Ford Motor...

Scope and Content Note From the Sub-Series: The first Anselm Kiefer retrospective to tour the United States was jointly organized by the Philadelphia Museum of Art and the Art Institute of Chicago, followed by exhibitions in Los Angeles and New York. Mark Rosenthal, Curator of Twentieth Century Art, co-curated the exhibition with A. James Speyer and Neal Benezra of Chicago, selecting approximately 70 works, ranging from painting and sculpture to books and photography. The exhibition was supported through grants from the Ford Motor...

Scope and Content Note From the Sub-Series: The first Anselm Kiefer retrospective to tour the United States was jointly organized by the Philadelphia Museum of Art and the Art Institute of Chicago, followed by exhibitions in Los Angeles and New York. Mark Rosenthal, Curator of Twentieth Century Art, co-curated the exhibition with A. James Speyer and Neal Benezra of Chicago, selecting approximately 70 works, ranging from painting and sculpture to books and photography. The exhibition was supported through grants from the Ford Motor...

Scope and Content Note From the Sub-Series:

The Hunt Manufacturing Co. has provided the Philadelphia Museum of Art with a series of grants since 1979 for the acquisition of contemporary works on paper. Ellen S. Jacobowitz and Ann Percy curated an exhibition of the works of forty-six artists acquired through the generous funding of the Hunt initiative.

Scope and Content Note From the Sub-Series:

Dilys E. Blum organized a small exhibition of over 60 fans from the permanent collection ranging in date from the 17th to the 20th century.

Scope and Content Note From the Sub-Series:

"Form in Art" was an occassional exhibition featuring works produced in connection with the Education Department's studio art classes for people who are blind or visually impaired.

Scope and Content Note From the Sub-Series:

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Scope and Content Note From the Sub-Series:

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.

Scope and Content Note From the Sub-Series:

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalist landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents pertain to budget and funding, installation design, loans and indemnity, and public relations.