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Box 52

 Container

Contains 23 Results:

Administration. Arts Council of Great Britain, 1985

 File — Box: 52, Folder: 1
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1985

Catalogue, 1986

 File — Box: 52, Folder: 2
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1986

Contract with photographers, 1985-1988

 File — Box: 52, Folder: 3
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1985-1988

Education and programs, 1985-1986

 File — Box: 52, Folder: 4
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1985-1986

Funding, 1983-1986

 File — Box: 52, Folder: 5
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1983-1986

Funding. Credits, 1986

 File — Box: 52, Folder: 6
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1986

Funding. Japan Foundation, 1984-1986

 File — Box: 52, Folder: 7
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1984-1986

Funding. Konica, 1985

 File — Box: 52, Folder: 8
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1985

Funding. NEA. Application, 1985-1988

 File — Box: 52, Folder: 9
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1985-1988

Funding. NEH. Application, 1984

 File — Box: 52, Folder: 10
Scope and Content Note From the Sub-Series: The work of Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama helped define Japanese photography in the years following the Second World War. Michael Hoffman, Adjunct Curator, Alfred Stieglitz Center, and Mark Holborn, Editor of Aperture, chose works by each artist for an exhibition of 160 photographs. First installed at the Museum of Modern Art in Oxford, the exhibit toured throughout the United States until 1988. The exhibition and catalogue are supported by the National...
Dates: 1984