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Box 33

 Container

Contains 10 Results:

Travel. Participating museums, 1983-1985

 File — Box: 33, Folder: 1
Scope and Content Note From the Sub-Series: A multi-media installation surveying the work of Jonathan Borofsky midway through his career was organized by Mark Rosenthal, Curator of 20th-Century Art at the Philadelphia Museum, and Richard Marshall, Associate Curator of Exhibitions the the Whitney Museum of American Art in New York. First displayed in Philadelphia, the show then traveled to the Whitney Museum, the Berkeley Art Museum, the Walker Art Center, the Corcoran Gallery of Art, and the Museum of Contemporary Art in Los...
Dates: 1983-1985

Travel. Walker Art Center, 1984-1985

 File — Box: 33, Folder: 2
Scope and Content Note From the Sub-Series: A multi-media installation surveying the work of Jonathan Borofsky midway through his career was organized by Mark Rosenthal, Curator of 20th-Century Art at the Philadelphia Museum, and Richard Marshall, Associate Curator of Exhibitions the the Whitney Museum of American Art in New York. First displayed in Philadelphia, the show then traveled to the Whitney Museum, the Berkeley Art Museum, the Walker Art Center, the Corcoran Gallery of Art, and the Museum of Contemporary Art in Los...
Dates: 1984-1985

Travel. Whitney Museum of American Art, confidential, 1983-1988

 File — Box: 33, Folder: 3
Scope and Content Note From the Sub-Series: A multi-media installation surveying the work of Jonathan Borofsky midway through his career was organized by Mark Rosenthal, Curator of 20th-Century Art at the Philadelphia Museum, and Richard Marshall, Associate Curator of Exhibitions the the Whitney Museum of American Art in New York. First displayed in Philadelphia, the show then traveled to the Whitney Museum, the Berkeley Art Museum, the Walker Art Center, the Corcoran Gallery of Art, and the Museum of Contemporary Art in Los...
Dates: 1983-1988

Work meetings, 1984

 File — Box: 33, Folder: 4
Scope and Content Note From the Sub-Series: A multi-media installation surveying the work of Jonathan Borofsky midway through his career was organized by Mark Rosenthal, Curator of 20th-Century Art at the Philadelphia Museum, and Richard Marshall, Associate Curator of Exhibitions the the Whitney Museum of American Art in New York. First displayed in Philadelphia, the show then traveled to the Whitney Museum, the Berkeley Art Museum, the Walker Art Center, the Corcoran Gallery of Art, and the Museum of Contemporary Art in Los...
Dates: 1984

General, 1981-1984

 File — Box: 33, Folder: 5
Scope and Content Note From the Sub-Series: This exhibition, organized through a collaboration between the Philadelphia Museum of Art and the Victoria and Albert Museum in London, explored the Victorian fasination with photography, from its earliest invention in 1839 through the end of the nineteenth century. Some 240 extraordinary 19th-century photographs by such photographers as William Henry Fox Talbot, Roger Fenton, John Murray, Oscar G. Rejlander, and Julia Margaret Cameron were brought together by Michael E. Hoffman, Adjunct...
Dates: 1981-1984

Budget, 1981-1984

 File — Box: 33, Folder: 6
Scope and Content Note From the Sub-Series: This exhibition, organized through a collaboration between the Philadelphia Museum of Art and the Victoria and Albert Museum in London, explored the Victorian fasination with photography, from its earliest invention in 1839 through the end of the nineteenth century. Some 240 extraordinary 19th-century photographs by such photographers as William Henry Fox Talbot, Roger Fenton, John Murray, Oscar G. Rejlander, and Julia Margaret Cameron were brought together by Michael E. Hoffman, Adjunct...
Dates: 1981-1984

Catalogue, 1982-1984

 File — Box: 33, Folder: 7
Scope and Content Note From the Sub-Series: This exhibition, organized through a collaboration between the Philadelphia Museum of Art and the Victoria and Albert Museum in London, explored the Victorian fasination with photography, from its earliest invention in 1839 through the end of the nineteenth century. Some 240 extraordinary 19th-century photographs by such photographers as William Henry Fox Talbot, Roger Fenton, John Murray, Oscar G. Rejlander, and Julia Margaret Cameron were brought together by Michael E. Hoffman, Adjunct...
Dates: 1982-1984

Education and programs, 1984

 File — Box: 33, Folder: 8
Scope and Content Note From the Sub-Series: This exhibition, organized through a collaboration between the Philadelphia Museum of Art and the Victoria and Albert Museum in London, explored the Victorian fasination with photography, from its earliest invention in 1839 through the end of the nineteenth century. Some 240 extraordinary 19th-century photographs by such photographers as William Henry Fox Talbot, Roger Fenton, John Murray, Oscar G. Rejlander, and Julia Margaret Cameron were brought together by Michael E. Hoffman, Adjunct...
Dates: 1984

Funding, 1983-1984

 File — Box: 33, Folder: 9
Scope and Content Note From the Sub-Series: This exhibition, organized through a collaboration between the Philadelphia Museum of Art and the Victoria and Albert Museum in London, explored the Victorian fasination with photography, from its earliest invention in 1839 through the end of the nineteenth century. Some 240 extraordinary 19th-century photographs by such photographers as William Henry Fox Talbot, Roger Fenton, John Murray, Oscar G. Rejlander, and Julia Margaret Cameron were brought together by Michael E. Hoffman, Adjunct...
Dates: 1983-1984

Funding. Citicorp, 1983

 File — Box: 33, Folder: 10
Scope and Content Note From the Sub-Series: This exhibition, organized through a collaboration between the Philadelphia Museum of Art and the Victoria and Albert Museum in London, explored the Victorian fasination with photography, from its earliest invention in 1839 through the end of the nineteenth century. Some 240 extraordinary 19th-century photographs by such photographers as William Henry Fox Talbot, Roger Fenton, John Murray, Oscar G. Rejlander, and Julia Margaret Cameron were brought together by Michael E. Hoffman, Adjunct...
Dates: 1983