Box 13

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...

Scope and Content Note From the Sub-Series: In 1979, the Philadelphia Museum of Art embarked upon a collaboration with the Nelson-Atkins Museum of Art in Kansas City to bring an exhibition of the works of Jean-Baptiste Oudry, a French Rococo painter, egraver, and tapestry design prominent in the eighteenth century, to institutions in the United States. Through a planning and implementation grant from the National Endowment for the Arts, Hal N. Opperman began research for the exhibition and catalogue. In October 1982, the Oudry...