Box 16
Contains 305 Results:
Correspondence from Grace L. McCann Morley to Walter Arensberg, 1950 January 25
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter Arensberg.
Correspondence from Grace L. McCann Morley to Walter Arensberg, 1950 April 7
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter Arensberg.
Correspondence from Walter Arensberg to Grace L. McCann Morley, 1950 April 15
Correspondence from Walter Arensberg to Grace L. McCann Morley, Director of the San Francisco Museum of Art.
Correspondence from Grace L. McCann Morley to Walter Arensberg, 1950 April 18
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter Arensberg.
Correspondence from Grace L. McCann Morley to Walter Arensberg, 1950 December 21
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter Arensberg.
Correspondence from Grace L. McCann Morley to Walter Arensberg, 1951 January 23
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter Arensberg.
Correspondence from Grace L. McCann Morley to Walter Arensberg, 1951 January 23
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter Arensberg [copy].
Correspondence from Grace L. McCann Morley to Walter Arensberg, 1951 January 23
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter Arensberg [copy].
Correspondence from Grace L. McCann Morley to Walter and Louise Arensberg, 1951 March 5
Correspondence from Grace L. McCann Morley, Director of the San Francisco Museum of Art, to Walter and Louise Arensberg.
San Joanquin Pioneer Museum (Stockton, California), 1942-1943, 1949, 1951
Correspondence with Walter and/or Louise Arensberg, as well as some letters with the Arensbergs' staff, including Elizabeth Wrigley and Stanley Rogers, written on their behalf. Includes some third-party correspondence, ephemera, photographs, and other material sent as attachments and/or enclosures.