Box 73

Scope and Contents

"Échelle métrique de Wecker et Masselon." Eye chart with Cyrillic characters, taken from the publication "Echelle métrique pour mesurer l'acuité visuelle; le sens chromatique et le sens lumineux." Created by Louis de Wecker and Julien Masselon. Published by Octave Doin. Printed by Gaillac-Monroco & Cie.

Scope and Contents From the Series:

Primarily exhibition related material, such as invitations, announcements and catalogs. Also includes membership cards, newsletters, ballots, bulletins, financial reports, meeting minutes, calendars of events, and annual reports from museums, galleries, art associations, professional organizations, and clubs, as well as unused envelopes and postcards, broadsides, and business cards.

Scope and Contents

Handwritten note by Marcel Duchamp about "Creacion: revista internacional de art."

Scope and Contents

"Creacion: revista internacional de art," no. 1.

Scope and Contents

"Création: revue d'art," no. 2.

Scope and Contents From the Series:

Primarily exhibition related material, such as invitations, announcements and catalogs. Also includes membership cards, newsletters, ballots, bulletins, financial reports, meeting minutes, calendars of events, and annual reports from museums, galleries, art associations, professional organizations, and clubs, as well as unused envelopes and postcards, broadsides, and business cards.

Scope and Contents

Gogh, Vincent van. "L'Arlesienne." Poster mounted on cardstock.

Scope and Contents From the Series:

Primarily exhibition related material, such as invitations, announcements and catalogs. Also includes membership cards, newsletters, ballots, bulletins, financial reports, meeting minutes, calendars of events, and annual reports from museums, galleries, art associations, professional organizations, and clubs, as well as unused envelopes and postcards, broadsides, and business cards.

Scope and Contents

Stieglitz, Alfred. "Fountain by R. Mutt." Proof page from "The Blind Man" no. 2 (May 1917).

Scope and Contents From the Sub-Series: Material regarding the Arensbergs negotiations to transfer their art collection from the Francis Bacon Foundation to the University of California, Los Angeles. In 1944, the Arensbergs signed a deed of gift with the University of California, Los Angeles, which included the stipulation that the University build an appropriate museum to house the collection in a specified time frame. By the fall of 1947 it was obvious this condition would not be met and the contract was nullified. Both the gift...