Box 30
Container
Contains 8 Results:
Sporting scenes, 1931-1983
File — Box: 30, Folder: 1
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1931-1983
Still lifes, 1966, 1971
File — Box: 30, Folder: 2
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1966, 1971
Students of Eakins. Adolphe, Albert Jean. In regard to provenance and Adolphe as artist, 1941-1942
File — Box: 30, Folder: 3
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1941-1942
Students of Eakins. Adolphe, Albert Jean. In regard to provenance and Adolphe as artist, 1959-1962, 1969, 1979,2003
File — Box: 30, Folder: 4
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1959-1962, 1969, 1979,2003
Students of Eakins. Barnitz, Harry W. In regard to provenance and Barnitz as artist, 1967-1981, undated
File — Box: 30, Folder: 5
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1967-1981, undated
Students of Eakins. Barnitz, Harry W. In regard to provenance and Barnitz as artist, 1960-1966
File — Box: 30, Folder: 6
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1960-1966
No information, 1942-1967
File — Box: 30, Folder: 7
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1942-1967
Miscellaneous, 1962-1977, 1984-1985, undated
File — Box: 30, Folder: 8
Scope and Contents
From the Series:
As early as the 1930s, Goodrich was recognized by his peers as the preeminent authority on Thomas Eakins. Owners of possible works by Thomas Eakins were referred to him or sought out his expertise themselves in order to establish authenticity of the object. Up until the end of his life, Goodrich remained committed to examining works as they surfaced, taking the steps necessary to make a final decision. In some cases, a photograph or a visual description of the object and its provenance would...
Dates:
1962-1977, 1984-1985, undated