Box 3
Container
Contains 31 Results:
University of Pennsylvania, 1962, 1969
File — Box: 3, Folder: 21
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1962, 1969
Viking Press, 1972
File — Box: 3, Folder: 22
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1972
Walker Galleries, 1937
File — Box: 3, Folder: 23
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1937
White House. Curator, 1965
File — Box: 3, Folder: 24
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1965
Whitney Museum of American Art, 1966-1970, 1985
File — Box: 3, Folder: 25
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1966-1970, 1985
Whitney Museum of American Art. Misc. memos, notes and photograph. Incl. condition and conservations reports of unidentified marine painting, 1965-1970, 1986, undated
File — Box: 3, Folder: 26
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1965-1970, 1986, undated
Wilmerding, John, 1978-1979
File — Box: 3, Folder: 27
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1978-1979
Wyeth Endowment for American Art, 1979-1980
File — Box: 3, Folder: 28
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1979-1980
Wyeth, Betsy James, 1969
File — Box: 3, Folder: 29
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1969
Unidentified, circa 1930, 1982
File — Box: 3, Folder: 30
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
circa 1930, 1982