Box 14

Scope and Contents From the Sub-Series: In 2000, "The Splendor of 18th-Century Rome" exhibition was finally put on display after 10 years of planning by curators Joseph J. Rishel (Senior Curator of European Painting and Sculpture before 1900), Ann Percy (Curator of Drawings), and Dean Walker (Senior Curator of European Decorative Arts and Sculpture before 1700) along with an international team of scholars. The exhibition was designed to highlight art made in the independent papal state of Rome in the early 18th century before the...

Scope and Contents From the Sub-Series: In 2000, "The Splendor of 18th-Century Rome" exhibition was finally put on display after 10 years of planning by curators Joseph J. Rishel (Senior Curator of European Painting and Sculpture before 1900), Ann Percy (Curator of Drawings), and Dean Walker (Senior Curator of European Decorative Arts and Sculpture before 1700) along with an international team of scholars. The exhibition was designed to highlight art made in the independent papal state of Rome in the early 18th century before the...

Scope and Contents From the Sub-Series: In 2000, "The Splendor of 18th-Century Rome" exhibition was finally put on display after 10 years of planning by curators Joseph J. Rishel (Senior Curator of European Painting and Sculpture before 1900), Ann Percy (Curator of Drawings), and Dean Walker (Senior Curator of European Decorative Arts and Sculpture before 1700) along with an international team of scholars. The exhibition was designed to highlight art made in the independent papal state of Rome in the early 18th century before the...

Scope and Contents From the Sub-Series: In 2000, "The Splendor of 18th-Century Rome" exhibition was finally put on display after 10 years of planning by curators Joseph J. Rishel (Senior Curator of European Painting and Sculpture before 1900), Ann Percy (Curator of Drawings), and Dean Walker (Senior Curator of European Decorative Arts and Sculpture before 1700) along with an international team of scholars. The exhibition was designed to highlight art made in the independent papal state of Rome in the early 18th century before the...

Scope and Contents From the Sub-Series: In 2000, "The Splendor of 18th-Century Rome" exhibition was finally put on display after 10 years of planning by curators Joseph J. Rishel (Senior Curator of European Painting and Sculpture before 1900), Ann Percy (Curator of Drawings), and Dean Walker (Senior Curator of European Decorative Arts and Sculpture before 1700) along with an international team of scholars. The exhibition was designed to highlight art made in the independent papal state of Rome in the early 18th century before the...

Scope and Contents From the Sub-Series: In 2000, "The Splendor of 18th-Century Rome" exhibition was finally put on display after 10 years of planning by curators Joseph J. Rishel (Senior Curator of European Painting and Sculpture before 1900), Ann Percy (Curator of Drawings), and Dean Walker (Senior Curator of European Decorative Arts and Sculpture before 1700) along with an international team of scholars. The exhibition was designed to highlight art made in the independent papal state of Rome in the early 18th century before the...

Scope and Contents From the Sub-Series: "From the Sculptor's Studio: Italian Baroque Terracottas from the Hermitage," was an exhibition, honoring fourteen master sculptors from the 17th and early 18th centuries, particularly, Gian Lorenzo Bernini and Alessandro Algardi. The 35 exhibition pieces were an assortment of sculptures from the Farsetti collection in Russia's State Hermitage museum. The exhibition debuted at The Art Institute of Chicago following which it was displayed at the PMA, and the National Art Gallery in Washington...

Scope and Contents From the Sub-Series: "From the Sculptor's Studio: Italian Baroque Terracottas from the Hermitage," was an exhibition, honoring fourteen master sculptors from the 17th and early 18th centuries, particularly, Gian Lorenzo Bernini and Alessandro Algardi. The 35 exhibition pieces were an assortment of sculptures from the Farsetti collection in Russia's State Hermitage museum. The exhibition debuted at The Art Institute of Chicago following which it was displayed at the PMA, and the National Art Gallery in Washington...

Scope and Contents From the Sub-Series: "From the Sculptor's Studio: Italian Baroque Terracottas from the Hermitage," was an exhibition, honoring fourteen master sculptors from the 17th and early 18th centuries, particularly, Gian Lorenzo Bernini and Alessandro Algardi. The 35 exhibition pieces were an assortment of sculptures from the Farsetti collection in Russia's State Hermitage museum. The exhibition debuted at The Art Institute of Chicago following which it was displayed at the PMA, and the National Art Gallery in Washington...