Box 13

Scope and Contents From the Sub-Series: The Majolica installation was held in honor of the Annual Conference of the National Council on Education for the Ceramic Arts (NCECA) and in conjunction with two symposium at the Philadelphia Museum of Art: (1) "Contemporary Ceramics from the Permanent Collection," and (2) "18th and Early 19th Century European and American Ceramics." The symposium and the installation were apart of a larger four month city wide event entitled "Celebration of the Ceramic Arts" (held from January to April,...

Scope and Contents From the Sub-Series: The Majolica installation was held in honor of the Annual Conference of the National Council on Education for the Ceramic Arts (NCECA) and in conjunction with two symposium at the Philadelphia Museum of Art: (1) "Contemporary Ceramics from the Permanent Collection," and (2) "18th and Early 19th Century European and American Ceramics." The symposium and the installation were apart of a larger four month city wide event entitled "Celebration of the Ceramic Arts" (held from January to April,...

Scope and Contents From the Sub-Series:

To celebrate the Philadelphia Museum of Art's recent acquisition of Jean-Antoine Houdon's marble bust of Benjamin Franklin, Dean Walker put together a small installation entitled "Portraits of Benjamin Franklin." The works were primarily drawn from the Museum's private collection. The files stored in the PMA Archives contain information about labeling the artworks, the works owned by the PMA, loans, and the installation of the exhibit.

Scope and Contents From the Sub-Series:

To celebrate the Philadelphia Museum of Art's recent acquisition of Jean-Antoine Houdon's marble bust of Benjamin Franklin, Dean Walker put together a small installation entitled "Portraits of Benjamin Franklin." The works were primarily drawn from the Museum's private collection. The files stored in the PMA Archives contain information about labeling the artworks, the works owned by the PMA, loans, and the installation of the exhibit.

Scope and Contents From the Sub-Series:

To celebrate the Philadelphia Museum of Art's recent acquisition of Jean-Antoine Houdon's marble bust of Benjamin Franklin, Dean Walker put together a small installation entitled "Portraits of Benjamin Franklin." The works were primarily drawn from the Museum's private collection. The files stored in the PMA Archives contain information about labeling the artworks, the works owned by the PMA, loans, and the installation of the exhibit.

Scope and Contents From the Sub-Series:

To celebrate the Philadelphia Museum of Art's recent acquisition of Jean-Antoine Houdon's marble bust of Benjamin Franklin, Dean Walker put together a small installation entitled "Portraits of Benjamin Franklin." The works were primarily drawn from the Museum's private collection. The files stored in the PMA Archives contain information about labeling the artworks, the works owned by the PMA, loans, and the installation of the exhibit.

Scope and Contents From the Sub-Series: "From the Sculptor's Studio: Italian Baroque Terracottas from the Hermitage," was an exhibition, honoring fourteen master sculptors from the 17th and early 18th centuries, particularly, Gian Lorenzo Bernini and Alessandro Algardi. The 35 exhibition pieces were an assortment of sculptures from the Farsetti collection in Russia's State Hermitage museum. The exhibition debuted at The Art Institute of Chicago following which it was displayed at the PMA, and the National Art Gallery in Washington...

Scope and Contents From the Sub-Series: "From the Sculptor's Studio: Italian Baroque Terracottas from the Hermitage," was an exhibition, honoring fourteen master sculptors from the 17th and early 18th centuries, particularly, Gian Lorenzo Bernini and Alessandro Algardi. The 35 exhibition pieces were an assortment of sculptures from the Farsetti collection in Russia's State Hermitage museum. The exhibition debuted at The Art Institute of Chicago following which it was displayed at the PMA, and the National Art Gallery in Washington...

Scope and Contents From the Sub-Series: "From the Sculptor's Studio: Italian Baroque Terracottas from the Hermitage," was an exhibition, honoring fourteen master sculptors from the 17th and early 18th centuries, particularly, Gian Lorenzo Bernini and Alessandro Algardi. The 35 exhibition pieces were an assortment of sculptures from the Farsetti collection in Russia's State Hermitage museum. The exhibition debuted at The Art Institute of Chicago following which it was displayed at the PMA, and the National Art Gallery in Washington...

Scope and Contents From the Sub-Series: "From the Sculptor's Studio: Italian Baroque Terracottas from the Hermitage," was an exhibition, honoring fourteen master sculptors from the 17th and early 18th centuries, particularly, Gian Lorenzo Bernini and Alessandro Algardi. The 35 exhibition pieces were an assortment of sculptures from the Farsetti collection in Russia's State Hermitage museum. The exhibition debuted at The Art Institute of Chicago following which it was displayed at the PMA, and the National Art Gallery in Washington...