Box 16

Photographs and layouts used for "Les larves d'imagie" in View by Frederick Kiesler [copies].

Preparatory material, such as illustrations, notes, mock-ups, and interviews, used by Kiesler in the preparation of his two articles on Duchamp. The material clearly demonstrates how Kiesler constructed the innovative graphical layout of his articles. Also includes one reprint of an article by Hans Arp.

Photographs and layouts used for "Les larves d'imagie" in View by Frederick Kiesler.

Includes a photograph of 'Please Touch' pasties in shipping boxes which Kiesler inscribed "Marcel's Bosom Pops Out"; extracts from Stefi Kiesler's (wife of Frederick Kiesler) diary from 1933 to 1950 documenting the couple's close friendship with Marcel Duchamp; and photographs and a flyer from chess event held at Julien Levy Gallery.

Original envelopes for archival material from Frederick Kiesler relating to Marcel Duchamp.

Includes a photograph of 'Please Touch' pasties in shipping boxes which Kiesler inscribed "Marcel's Bosom Pops Out"; extracts from Stefi Kiesler's (wife of Frederick Kiesler) diary from 1933 to 1950 documenting the couple's close friendship with Marcel Duchamp; and photographs and a flyer from chess event held at Julien Levy Gallery.

Sketch for Marcel Duchamp portrait by Frederick Kiesler. Pencil on paper.

Ephemera, photographs, clippings, and other material documenting the life and work of artists who respond, refer or otherwise reference Duchamp and his art in their own work. Of particular note are two player piano scrolls of Duchamp's "Erratum Musical," one played by Petr Kotik and the S.E.M. Ensemble and the other by Martin Kalve. Also noteworthy are the several collaged works of mail art sent to the museum by correspondence artist Ray Johnson.