Box 17

Correspondence from Luca Patella to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art. Includes copy of correspondence from Florent Bex, Director of the Museum van Hedendaagse Kunst Antwerpen.

Correspondence from Italo Mussa, Director of the Centro di Cultura Ausoni, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art. Includes Artforum clipping.

Artforum. "Marcel Stripped Bare by… Luca Maria Patella" [copy]. Translated from Italian by Meg Shore.

Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Luca Patella.

Correspondence, photographs, and writings from Luca Patella to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

Photographs of "The Oculist Witnesses" and "Sieves" by Richard Hamilton.

Excerpt from unidentified publication showing the "Artists in Exile."

Ephemera, photographs, clippings, and other material documenting the life and work of artists who respond, refer or otherwise reference Duchamp and his art in their own work. Of particular note are two player piano scrolls of Duchamp's "Erratum Musical," one played by Petr Kotik and the S.E.M. Ensemble and the other by Martin Kalve. Also noteworthy are the several collaged works of mail art sent to the museum by correspondence artist Ray Johnson.

Unidentified publication. "Milan in Autumn" by Henry Martin [copy].

Ephemera, photographs, clippings, and other material documenting the life and work of artists who respond, refer or otherwise reference Duchamp and his art in their own work. Of particular note are two player piano scrolls of Duchamp's "Erratum Musical," one played by Petr Kotik and the S.E.M. Ensemble and the other by Martin Kalve. Also noteworthy are the several collaged works of mail art sent to the museum by correspondence artist Ray Johnson.