Box 15
Contains 39 Results:
Graham, F. Lanier. "Duchamp's illuminating androgynes." Iconography of Infinity. Photocopy, 2000 Summer
Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.
Iconography of Infinity. About the author statement from "Duchamp's illuminating androgynes", 2000 Summer
Iconography of Infinity. About the author statement from "Duchamp's illuminating androgynes."
Fraser, C. Gerald. "Mental Patient Mars a Painting by Duchamp at Modern Museum." New York Times, 1975 November 8
Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.
New York Times. "Mental Patient Mars a Painting by Duchamp at Modern Museum", 1975 November 8
New York Times. "Mental Patient Mars a Painting by Duchamp at Modern Museum" by C. Gerald Fraser.
Rykwert, Joseph. "Pinnacles of Absurdity." Review of "Lequeu: An Architectural Enigma" by Philippe Duboy. Architecture. Photocopy, 1986 December 26
Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.
The Times Literary Supplement. "Pinnacles of Absurdity", 1986 December 26
The Times Literary Supplement. "Pinnacles of Absurdity" by Joseph Rykwert. Review of "Lequeu: An Architectural Enigma" by Philippe Duboy.
Spurling, Hilary. "It's All in the Mind." The Daily Telegraph. Photocopy, 1997 March 22
Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.
Tomkins, Calvin. "Art is What You Call It." Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin. New York Times Book Review. Photocopy, undated
Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.
New York Times Book Review. "Art is What You Call It", undated
New York Times Book Review. "Art is What You Call It" by Calvin Tomkins. Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin.
Tōno, Yoshiaki. "Duchamp's Final Shock Revisited." Asahi Shinbun, 1988 January 14
Clippings and photocopies of published scholarly articles related to Marcel Duchamp, his life and works. Also includes a small amount of correspondence with departmental staff and typescripts and manuscripts of articles prior to their publication. Of particular note are several articles published by Anne d'Harnoncourt during her tenure as Curator in the Department of Twentieth Century Art and as Director of the Philadelphia Museum of Art.