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Box 4

 Container

Contains 68 Results:

Correspondence from Helen Freeman Corle to Marcel Duchamp, 1952 April 25

 Object — Box: 4, Folder: 8
Identifier: MDP_B004_F008_006
Scope and Contents

Correspondence from Helen Freeman (Mrs. Edwin) Corle to Marcel Duchamp regarding Corle's essay.

Dates: 1952 April 25

Correspondence from Helen Freeman Corle to Marcel Duchamp, circa 1951-1952 August

 Object — Box: 4, Folder: 8
Identifier: MDP_B004_F008_007
Scope and Contents

Correspondence from Helen Freeman (Mrs. Edwin) Corle to Marcel Duchamp regarding Corle's essay.

Dates: circa 1951-1952 August

Correspondence from Helen Freeman Corle to Marcel Duchamp, circa 1950-1952

 Object — Box: 4, Folder: 8
Identifier: MDP_B004_F008_008
Scope and Contents

Correspondence from Helen Freeman (Mrs. Edwin) Corle to Marcel Duchamp regarding Corle's essay.

Dates: circa 1950-1952

Envelope from Helen Freeman Corle to Marcel Duchamp, 1950 July 28

 Object — Box: 4, Folder: 8
Identifier: MDP_B004_F008_009
Scope and Contents

Envelope from Helen Freeman (Mrs. Edwin) Corle to Marcel Duchamp.

Dates: 1950 July 28

Corle, Helen Freeman (Mrs. Edwin). "Notes on the work of Marcel Duchamp." Typescript. corrected. 51 pages, 1949-1951

 File — Box: 4, Folder: 9
Scope and Contents From the Series: This series is comprised of typescripts and proofs of scholarly essays and creative writings about Duchamp and his work, as well as a small amount of correspondence with Michel Carrouges, Helen Freeman Corle, Jean Jacques Mayoux, and other authors who sent their writings to Duchamp for his review and comment. Of particular note is the draft and translation of a letter Duchamp sent to Jean Jacques Mayoux supporting his critique of Michel Carrouges's "Les Machines celibataires." The series...
Dates: 1949-1951

Notes on the work of Marcel Duchamp, 1949-1951

 Object — Box: 4, Folder: 9
Identifier: MDP_B004_F009_001
Scope and Contents

Corle, Helen Freeman (Mrs. Edwin). "Notes on the work of Marcel Duchamp." Typescript. corrected.

Dates: 1949-1951

Forman, Nessa and Herban, Mathew. "The Large Glass: The Bride Stripped Bare by Her Bachelors, Even: an analysis of content and methodology." Typescript and cover letter. 29 pages, circa 1967

 File — Box: 4, Folder: 10
Scope and Contents From the Series: This series is comprised of typescripts and proofs of scholarly essays and creative writings about Duchamp and his work, as well as a small amount of correspondence with Michel Carrouges, Helen Freeman Corle, Jean Jacques Mayoux, and other authors who sent their writings to Duchamp for his review and comment. Of particular note is the draft and translation of a letter Duchamp sent to Jean Jacques Mayoux supporting his critique of Michel Carrouges's "Les Machines celibataires." The series...
Dates: circa 1967

The Large Glass: The Bride Stripped Bare by Her Bachelors, Even: an analysis of content and methodology, 1967 March 2

 Object — Box: 4, Folder: 10
Identifier: MDP_B004_F010_001
Scope and Contents

Forman, Nessa and Herban, Mathew. "The Large Glass: The Bride Stripped Bare by Her Bachelors, Even: an analysis of content and methodology." Typescript and cover letter. 29 pages

Dates: 1967 March 2

Hamilton, Richard. Review of Pasadena Art Museum's 1963 Duchamp retrospective. Typescript (photocopy), corrected. 12 pages, undated

 File — Box: 4, Folder: 11
Scope and Contents From the Series: This series is comprised of typescripts and proofs of scholarly essays and creative writings about Duchamp and his work, as well as a small amount of correspondence with Michel Carrouges, Helen Freeman Corle, Jean Jacques Mayoux, and other authors who sent their writings to Duchamp for his review and comment. Of particular note is the draft and translation of a letter Duchamp sent to Jean Jacques Mayoux supporting his critique of Michel Carrouges's "Les Machines celibataires." The series...
Dates: undated

Review of Pasadena Art Museum's 1963 Duchamp retrospective, circa 1963

 Object — Box: 4, Folder: 11
Identifier: MDP_B004_F011_001
Scope and Contents

Hamilton, Richard. Review of Pasadena Art Museum's 1963 Duchamp retrospective. Typescript (photocopy), corrected.

Dates: circa 1963