Box 25
Contains 253 Results:
Camfield, William A., 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from William A. Camfield to Anne d'Harnoncourt, 1987 October 30
Correspondence from William A. Camfield, Professor of Art History at Rice University, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Caroll, Maurise, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from Maurise Caroll to Marcel Duchamp, 1987 December 28
Correspondence from Maurise Caroll to Marcel Duchamp.
Cizek, Judith, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from Judith Cizek to Anne d'Harnoncourt, 1987 November 1
Correspondence from Judith Cizek, Assistant to the Curator for 20th Century Painting and Sculpture at the Art Institute of Chicago, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Clemente, Francesco, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from Francesco Clemente to Ann Percy, 1987 March 5
Correspondence from Francesco Clemente to Ann Percy, Curator of Drawings at the Philadelphia Museum of Art.
Copley, William Nelson, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from Anne d'Harnoncourt to William Copley, circa 1987
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to William Copley.