Box 25
Contains 253 Results:
Memorandum from Anne d'Harnoncourt to Martha Chahroudi and Conna Clark, 1987 November 5
Memorandum from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Martha Chahroudi and Conna Clark.
Memorandum from Betsy Anderson to Anne d'Harnoncourt and Robert Montgomery Scott, 1987 November 25
Memorandum from Betsy Anderson to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, and Robert Montgomery Scott.
Memorandum from Anne d'Harnoncourt to Mark Rosenthal, Innis H. Shoemaker, Ann Percy, and Danielle Rice, 1987 December 7
Memorandum from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Mark Rosenthal, Innis H. Shoemaker, Ann Percy, and Danielle Rice. Includes information about three books from Shinro Ohtake.
Memorandum from Anne Schuster to Anne d'Harnoncourt, 1987 December 9
Memorandum from Anne Schuster to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Memorandum from Anne Schuster to Anne d'Harnoncourt, 1987 December 9
Memorandum from Anne Schuster to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Memorandum from Anne d'Harnoncourt to Conna Clark and Graydon Wood, 1987 December 23
Memorandum from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Conna Clark and Graydon Wood.
Memorandum from Anne d'Harnoncourt to Danielle Rice and Sheryl Bar, circa 1986-1987
Memorandum from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Danielle Rice and Sheryl Bar
Memorandum from Nancy Bove to Anne d'Harnoncourt, circa 1986-1987
Memorandum from Nancy Bove to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Memorandum from Grace Eleazer to Anne d'Harnoncourt, 1988 January 8
Memorandum from Grace Eleazer, Registrar's Office, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Adcock, Craig E., 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.