Box 25
Contains 253 Results:
Painted Bride Art Center, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from Gerry Givnish to Anne d'Harnoncourt, 1987 August 19
Correspondence from Gerry Givnish, Director of the Painted Bride Art Center, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art. Includes calendar for the Painted Bride Art Center.
Correspondence from Anne d'Harnoncourt to Gerry Givnish, 1987 August 21
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Gerry Givnish, Director of the Painted Bride Art Center.
Correspondence from Gerry Givnish to Anne d'Harnoncourt, 1987 October 22
Correspondence from Gerry Givnish, Director of the Painted Bride Art Center, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Paut, Boris, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from Boris Paut to Anne d'Harnoncourt, 1987 October 10
Correspondence from Boris Paut to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.
Correspondence from Anne d'Harnoncourt to Boris Paut, 1987 October 30
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Boris Paut.
Paz, Octavio, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Correspondence from Octavio Paz to Danielle Rice, 1987 August 17
Correspondence from Octavio Paz to Danielle Rice, Curator of Education at the Philadelphia Museum of Art.
Pennsylvania Academy of the Fine Arts, 1987
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on William Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.