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Box 2

 Container

Contains 331 Results:

Brown, Jean (Mrs. Leonard), 1973

 File — Box: 2, Folder: 7
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1973

Correspondence from Jean Brown to the Philadelphia Museum of Art, 1973 July 18

 Object — Box: 2, Folder: 7
Identifier: MDE_B002_F007_001
Scope and Contents

Correspondence from Jean Brown (Mrs. Leonard Brown), Director of the Tyringham Institute, to the Philadelphia Museum of Art.

Dates: 1973 July 18

Correspondence from Anne d'Harnoncourt to Jean Brown, 1973 August 1

 Object — Box: 2, Folder: 7
Identifier: MDE_B002_F007_002
Scope and Contents

Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to Jean Brown (Mrs. Leonard Brown), Director of the Tyringham Institute.

Dates: 1973 August 1

Bry, Doris, 1972

 File — Box: 2, Folder: 8
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1972

Correspondence from Margaret Kline to Doris Bry, 1972 December 5

 Object — Box: 2, Folder: 8
Identifier: MDE_B002_F008_001
Scope and Contents

Correspondence from Margaret Kline, Curatorial Assistant for 20th Century Art at the Philadelphia Museum of Art, to Doris Bry.

Dates: 1972 December 5

Correspondence from Doris Bry to Margaret Kline, 1973 January 2

 Object — Box: 2, Folder: 8
Identifier: MDE_B002_F008_002
Scope and Contents

Correspondence from Doris Bry to Margaret Kline, Curatorial Assistant for 20th Century Art at the Philadelphia Museum of Art.

Dates: 1973 January 2

Burnett, David, 1973

 File — Box: 2, Folder: 9
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1973

Correspondence from David Burnett to Anne d'Harnoncourt, 1973 October 4

 Object — Box: 2, Folder: 9
Identifier: MDE_B002_F009_001
Scope and Contents

Correspondence from David Burnett, Assistant Professor in the Department of Art History at Carleton University, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1973 October 4

Correspondence from Anne d'Harnoncourt to David Burnett, 1973 October 10

 Object — Box: 2, Folder: 9
Identifier: MDE_B002_F009_002
Scope and Contents

Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to David Burnett, Assistant Professor in the Department of Art History at Carleton University.

Dates: 1973 October 10

Calder, Alexander, 1974

 File — Box: 2, Folder: 10
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1974