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Box 2

 Container

Contains 331 Results:

Artservices, 1973, undated

 File — Box: 2, Folder: 4
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1973, undated

Correspondence from William Burke to Kynaston McShine, 1973 June 14

 Object — Box: 2, Folder: 4
Identifier: MDE_B002_F004_001
Scope and Contents

Correspondence from William Burke, Artservices, to Kynaston McShine, Curator for the Museum of Modern Art. Includes letter from Roger Shattuck, Collège de 'Pataphysique.

Dates: 1973 June 14

Correspondence from Anne d'Harnoncourt to William Burke, 1973 August 6

 Object — Box: 2, Folder: 4
Identifier: MDE_B002_F004_002
Scope and Contents

Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to William Burke, Artservices.

Dates: 1973 August 6

Correspondence from Anne d'Harnoncourt to William Burke, 1973 September 6

 Object — Box: 2, Folder: 4
Identifier: MDE_B002_F004_003
Scope and Contents

Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to William Burke, Artservices.

Dates: 1973 September 6

Correspondence from William Burke, circa 1973

 Object — Box: 2, Folder: 4
Identifier: MDE_B002_F004_004
Scope and Contents

Correspondence from William Burke, Artservices.

Dates: circa 1973

Associazione amici torinesi dell'arte contemporanea, 1972

 File — Box: 2, Folder: 5
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1972

Correspondence from Luigi Mallè to Evan H. Turner, 1972 September 18

 Object — Box: 2, Folder: 5
Identifier: MDE_B002_F005_001
Scope and Contents

Correspondence from Luigi Mallè, Director of Associazione amici torinesi dell'arte contemporanea, to Evan H. Turner, Director of the Philadelphia Museum of Art.

Dates: 1972 September 18

Correspondence from Evan H. Turner to Luigi Mallè, 1972 October 13

 Object — Box: 2, Folder: 5
Identifier: MDE_B002_F005_002
Scope and Contents

Correspondence from Evan H. Turner, Director of the Philadelphia Museum of Art, to Luigi Mallè, Director of Associazione amici torinesi dell'arte contemporanea.

Dates: 1972 October 13

British Broadcasting Corporation, 1973

 File — Box: 2, Folder: 6
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1973

Correspondence from Anne d'Harnoncourt to Leonie Cohn, 1973 May 7

 Object — Box: 2, Folder: 6
Identifier: MDE_B002_F006_001
Scope and Contents

Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to Leonie Cohn, British Broadcasting Corporation.

Dates: 1973 May 7