Box 2

Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...

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Correspondence from Jane Necol, Curatorial Assistant for the Museum of Modern Art, to John Armbruster.

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Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to John Armbruster.

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Correspondence from Jane A. to Kynaston McShine, Curator for the Museum of Modern Art, and Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art.

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Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to John Armbruster.

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Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to Tristram Powell about Rebel Readymade.

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Correspondence from Frank McKevitt, Director of Educational Marketing for Time Life Films, Inc., to Tristram Powell about Rebel Readymade.

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Telegram from Tristram Powell to Kynaston McShine, Curator for the Museum of Modern Art about Rebel Readymade.