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Box 54

 Container

Contains 8 Results:

Clipping re "Rainbow Arch", 1933

 File — Box: 54, Folder: 8
Scope and Contents From the Sub-Series: Various genres comprise this sub-series of items belonging primarily to Barnard, as well as to his father and son. Barnard's secretary apparently kept the daily journals, recording phone calls, appointments and various transactions. Some notes and pieces of correspondence are inserted between the bound pages. Many of the entries pertain to Barnard's dealings in Medieval artifacts as well as to his attempts to resolve financial matters. Some of the entries are in his hand and appear to be his...
Dates: 1933

Duncan, Isadora, 1877-1927. Autogrpahed portrait. Oversized, undated

 File — Box: 54, Folder: 1
Scope and Contents From the Sub-Series:

Many of the photographs pertain to Medieval sculpture and architectural elements and therefore were probably compiled by Barnard as reference in his collecting and dealing in such pieces. There are also a significant number of photographs of jackhammers, many of which depict men operating the equipment underground or on rugged outdoor terrain. An autographed full-length portrait of the dancer Isadora Duncan is also included with the inscription, "To the Idealist from the Epicurean."

Dates: undated

Painting. Portrait of Albert Einstein. Unidentified artist. Oversized, undated

 File — Box: 54, Folder: 2
Scope and Contents From the Sub-Series:

Many of the photographs pertain to Medieval sculpture and architectural elements and therefore were probably compiled by Barnard as reference in his collecting and dealing in such pieces. There are also a significant number of photographs of jackhammers, many of which depict men operating the equipment underground or on rugged outdoor terrain. An autographed full-length portrait of the dancer Isadora Duncan is also included with the inscription, "To the Idealist from the Epicurean."

Dates: undated

Sculpture. Various periods. Incl. Print of Laocoon group. Some oversized, undated

 File — Box: 54, Folder: 4
Scope and Contents From the Sub-Series:

Many of the photographs pertain to Medieval sculpture and architectural elements and therefore were probably compiled by Barnard as reference in his collecting and dealing in such pieces. There are also a significant number of photographs of jackhammers, many of which depict men operating the equipment underground or on rugged outdoor terrain. An autographed full-length portrait of the dancer Isadora Duncan is also included with the inscription, "To the Idealist from the Epicurean."

Dates: undated

Sculpture. "The Hewer" by George Grey Barnard. Oversized print, undated

 File — Box: 54, Folder: 3
Scope and Contents From the Sub-Series:

Many of the photographs pertain to Medieval sculpture and architectural elements and therefore were probably compiled by Barnard as reference in his collecting and dealing in such pieces. There are also a significant number of photographs of jackhammers, many of which depict men operating the equipment underground or on rugged outdoor terrain. An autographed full-length portrait of the dancer Isadora Duncan is also included with the inscription, "To the Idealist from the Epicurean."

Dates: undated

Barnard's Cloisters. Clippings and correspondence. [1:3], 1914-1922, undated

 File — Box: 54, Folder: 5
Scope and Contents From the Sub-Series: Comprised of clippings and correspondence, this scrapbook documents the positive publicity and praise for the "Cloisters," Barnard's personal museum of French Gothic art and architectural elements that he exhibited in a building he constructed on the northern reaches of New York City's Washington Heights area at Fort Washington Avenue and 181st Street. Several of the later clippings pertain to the sale of land adjacent to his museum, which dashed Barnard's vision to turn the area into an art...
Dates: 1914-1922, undated

Barnard's Cloisters. Clippings and correspondence. [2:3], 1921-1922, undated

 File — Box: 54, Folder: 6
Scope and Contents From the Sub-Series: Comprised of clippings and correspondence, this scrapbook documents the positive publicity and praise for the "Cloisters," Barnard's personal museum of French Gothic art and architectural elements that he exhibited in a building he constructed on the northern reaches of New York City's Washington Heights area at Fort Washington Avenue and 181st Street. Several of the later clippings pertain to the sale of land adjacent to his museum, which dashed Barnard's vision to turn the area into an art...
Dates: 1921-1922, undated

Barnard's Cloisters. Clippings and correspondence. [3:3], 1920-1922, undated

 File — Box: 54, Folder: 7
Scope and Contents From the Sub-Series: Comprised of clippings and correspondence, this scrapbook documents the positive publicity and praise for the "Cloisters," Barnard's personal museum of French Gothic art and architectural elements that he exhibited in a building he constructed on the northern reaches of New York City's Washington Heights area at Fort Washington Avenue and 181st Street. Several of the later clippings pertain to the sale of land adjacent to his museum, which dashed Barnard's vision to turn the area into an art...
Dates: 1920-1922, undated