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Box 87

 Container

Contains 20 Results:

[X-R-208] Poussin, Nicolas. "The Baptism of Christ." (1 film). 1:6.

 File — Box: 87, Folder: 1
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-208] Poussin, Nicolas. "The Baptism of Christ." (1 film). 2:6.

 File — Box: 87, Folder: 2
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-208] Poussin, Nicolas. "The Baptism of Christ." (1 film). 3:6.

 File — Box: 87, Folder: 3
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-208] Poussin, Nicolas. "The Baptism of Christ." (1 film). 4:6.

 File — Box: 87, Folder: 4
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-208] Poussin, Nicolas. "The Baptism of Christ." (1 film). 5:6.

 File — Box: 87, Folder: 5
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-208] Poussin, Nicolas. "The Baptism of Christ." (1 film). 6:6.

 File — Box: 87, Folder: 6
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-209] Rembrandt Harmensz. van Rijn. "The Crucifixion" [or "Christ on the Cross"]. (1 film).

 File — Box: 87, Folder: 7
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-214] Weyden, Rogier van der. Two panels. "Christ on the Cross" and "The Virgin and St. John." (1 film). 1:2.

 File — Box: 87, Folder: 8
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-214] Weyden, Rogier van der. Two panels. "Christ on the Cross" and "The Virgin and St. John." (1 film). 2:2.

 File — Box: 87, Folder: 9
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-R-693 or 5009-5010?] Rembrandt Harmensz. van Rijn. "The Finding of Moses." (1 film). 1:2.

 File — Box: 87, Folder: 10
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947