Box 83
Container
Contains 29 Results:
[X-R-99] Sano di Pietro. "Virgin and Child." (1 film). 2:2.
File — Box: 83, Folder: 20
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-104] Jacopo di Cione. "Saint Peter Freed from Prison." (1 film). 1:2.
File — Box: 83, Folder: 21
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-104] Jacopo di Cione. "Saint Peter Freed from Prison." (1 film). 2:2.
File — Box: 83, Folder: 22
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-105] Parmigianino. "Virgin and Child." (1 film). 1:2.
File — Box: 83, Folder: 23
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-105] Parmigianino. "Virgin and Child." (1 film). 2:2.
File — Box: 83, Folder: 24
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-107] El Greco. "Agony in the Garden." (1 film).
File — Box: 83, Folder: 25
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-110] Cuyp, Aelbert. "Portrait of a Lady." (1 film). 1:3.
File — Box: 83, Folder: 26
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-110] Cuyp, Aelbert. "Portrait of a Lady." (1 film). 2:3.
File — Box: 83, Folder: 27
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[X-R-110] Cuyp, Aelbert. "Portrait of a Lady." (1 film). 3:3.
File — Box: 83, Folder: 28
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947