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Box 96

 Container

Contains 10 Results:

Box 70, F. 40.

 File — Box: 96, Folder: 9
Scope and Contents From the Sub-Series:

In the process of conserving a selected number of original diacetate negatives, interpositives were made of those images in order to produce duplicate negatives. These duplicate negatives have been incorporated into the "Negatives" subseries. Folder titles indicate the box and folder numbers of the "Negative" subseries, from which the original material was removed.

Dates: 1936-1969; Majority of material found within 1936-1947

[X-126] Harnett, William Michael. "Dead Turkey." (1 film).

 File — Box: 96, Folder: 1
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-127] [John G.] Johnson Galleries. Installation at PMA. (4 film).

 File — Box: 96, Folder: 2
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-128] Wax tank in [John G.] Johnson conservation shop at PMA. (1 film).

 File — Box: 96, Folder: 3
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-207] Jacopo di Cione. "Saint Peter Freed from Prison." (6 film).

 File — Box: 96, Folder: 4
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-208] El Greco. "Agony in the Garden." (1 film).

 File — Box: 96, Folder: 5
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-328] Masolino da Panicale. "Saints Peter and Paul." (1 film).

 File — Box: 96, Folder: 6
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-329] Masolino da Panicale. "Saints John and Martin." (1 film).

 File — Box: 96, Folder: 7
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[No Rosen number] Potter, Paulus. "Landscape." (1 film).

 File — Box: 96, Folder: 8
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

Box 70, F. 40.

 File — Box: 96, Folder: 10
Scope and Contents From the Series:

This series contains original negatives and pellicles of images duplicated by Chicago Albumen Works in 2004. Folder titles indicate the box and folder numbers of the "Negative" subseries, from which this material was removed. Duplicate negatives reside in the original locations.

Dates: 1932-1969, undated