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Box 70

 Container

Contains 7 Results:

[X-1] Corot, Jean-Baptiste-Camille. "Mother and Child on a Beach." (1 film).

 File — Box: 70, Folder: 1
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-2] Corot, Jean-Baptiste-Camille. "Reverie." (3 film).

 File — Box: 70, Folder: 2
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-3] Corot, Jean-Baptiste-Camille. "Head of a Young Women." (1 film).

 File — Box: 70, Folder: 3
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-4] Corot, Jean-Baptiste-Camille. "The Letter." (3 film).

 File — Box: 70, Folder: 4
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-5] Corot, Jean-Baptiste-Camille. "Gypsy Girl." (4 film).

 File — Box: 70, Folder: 5
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-6] Corot, Jean-Baptiste-Camille. "Woman with Water Jug." (5 film).

 File — Box: 70, Folder: 6
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[X-7] Corot, Jean-Baptiste-Camille. "Landscape." (1 film).

 File — Box: 70, Folder: 7
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947