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Box 68

 Container

Contains 24 Results:

[444] Corot, Jean-Baptiste-Camille. "Jeune Grecque." (6 film).

 File — Box: 68, Folder: 1
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[445] Corot, Jean-Baptiste-Camille. "Eretal: La Plage." (2 film)

 File — Box: 68, Folder: 2
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[446] Corot, Jean-Baptiste-Camille. "Dun Kerque." (2 film).

 File — Box: 68, Folder: 3
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[447] Corot, Jean-Baptiste-Camille. "Mlle. De Foundras." (6 film).

 File — Box: 68, Folder: 4
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[448] Corot, Jean-Baptiste-Camille [?]. "Juive d'Alger." (6 film).

 File — Box: 68, Folder: 5
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[449] Corot, Jean-Baptiste-Camille. "L'Albanaire." (6 film).

 File — Box: 68, Folder: 6
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[450] Corot, Jean-Baptiste-Camille. "Venus au Bain." (4 film).

 File — Box: 68, Folder: 7
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[451] Corot, Jean-Baptiste-Camille. Signature. (1 film).

 File — Box: 68, Folder: 8
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[452] Corot, Jean-Baptiste-Camille. Photo from Robaut. (4 film).

 File — Box: 68, Folder: 9
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[453] Robaut, Alfred. Photograph of. (1 film).

 File — Box: 68, Folder: 10
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947