Box 81
Container
Contains 20 Results:
[353] Rembrandt Harmensz. van Rijn. "Still Life." (4 glass)., undated
File — Box: 81, Folder: 1
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[363] Daumier, Honoré. "Head of a Man." (2 glass)., undated
File — Box: 81, Folder: 2
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[365] Corot, Jean-Baptiste-Camille. "Landscape." (1 glass)., undated
File — Box: 81, Folder: 3
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[366] Corot, Jean-Baptiste-Camille. "Landscape." (1 glass)., undated
File — Box: 81, Folder: 4
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[367] Daumier, Honoré. "Don Quixote." (1 glass)., undated
File — Box: 81, Folder: 5
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[368] Daumier, Honoré. "Head of a Man." (1 glass)., undated
File — Box: 81, Folder: 6
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[370] Eakins, Thomas. "Old Man at Desk." (2 glass)., undated
File — Box: 81, Folder: 7
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[371] Flemish, unidentified. "Lady in Costume." (1 glass)., undated
File — Box: 81, Folder: 8
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[374] Majolica Bowl. (8 glass)., undated
File — Box: 81, Folder: 9
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[377] Peale, Charles Wilson. "McComb Portrait." (2 glass)., undated
File — Box: 81, Folder: 10
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated