Box 62
Container
Contains 22 Results:
[281] American, 18th century, unidentified. "Governor Spotwood." (2 film)., undated
File — Box: 62, Folder: 1
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[282] Bosch, Hieronymus. "Mocking of Christ." (22 film)., undated
File — Box: 62, Folder: 2
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[283] Hans Burgkmair. "Saints Ulric and Afra." (1 film).
File — Box: 62, Folder: 3
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[284] English, 18th century, unidentified. "David Meade." (3 film).
File — Box: 62, Folder: 4
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[285] English, 18th century, unidentified. "Lady at Table." (2 film).
File — Box: 62, Folder: 5
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[286] English, 19th century, unidentified. "Portrait of a Man." (1 film).
File — Box: 62, Folder: 6
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[287] French, unidentified. "Enthroned Virgin and Child with the Cardinal Virtues and Two Figures Holding Scrolls." (3 film)., undated
File — Box: 62, Folder: 7
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[288] Gossaert, Jan [copy after]. "Portrait of a Merchant." (3 film)., undated
File — Box: 62, Folder: 8
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
undated
[289] Manet, Éduard. "Marine View in Holland." (2 film).
File — Box: 62, Folder: 9
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[290] Peale, Charles Wilson. "Mrs. Paul Zantzinger." (1 film).
File — Box: 62, Folder: 10
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947