Box 52
Container
Contains 17 Results:
[124] Pseudo Pier Francesco Fiorentino. "Virgin and Child." (10 film).
File — Box: 52, Folder: 1
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[125] Francia, [Francesco?]. "Virgin and Child." (7 film).
File — Box: 52, Folder: 2
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[126] South French Artist. "Legend of Saint Sebastian." (2 film).
File — Box: 52, Folder: 3
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[127] South French Artist. "Legend of Saint Sebastian." (1 film).
File — Box: 52, Folder: 4
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[128] South French Artist. "Legend of Saint Sebastian." (3 film)
File — Box: 52, Folder: 5
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[129] Gaddi, [Agnolo?]. "Trinity." (3 film).
File — Box: 52, Folder: 6
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[130] Gaddi, Agnolo. "Marriage of Saint Catherine." (2 film).
File — Box: 52, Folder: 7
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[131] Gericault, Théodore. "Charcoal Wagon." (3 film).
File — Box: 52, Folder: 8
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[132] Ghirlandaio, Ridolfo. "Andrea Bandini." (3 film).
File — Box: 52, Folder: 9
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947
[133] Ghirlandaio, Ridolfo. "Portrait of an Old Man." (12 film).
File — Box: 52, Folder: 10
Scope and Contents
From the Sub-Series:
Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates:
circa 1936-1947