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Box 75

 Container

Contains 30 Results:

[73] David, Gerard, copy after. "Pieta." (1 glass).

 File — Box: 75, Folder: 1
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[74] Durer, Albrecht. "Portrait of a Woman." (1 glass).

 File — Box: 75, Folder: 2
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[77] Flemalle[?], copy after. "Virgin and Child." (1 glass).

 File — Box: 75, Folder: 3
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[78] Leyden, Lucas van. "Beheading of Saint John." (3 glass).

 File — Box: 75, Folder: 4
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[79] Flemish, unidentified. "Annunciation." (3 glass).

 File — Box: 75, Folder: 5
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[80] Grimmer, Abel. "Landscape." (1 glass).

 File — Box: 75, Folder: 6
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[82] Botticini, Francesco, school of. "Madonna and Saints." (1 glass).

 File — Box: 75, Folder: 7
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[83] Bourdichon, Jean, follower of. "Virgin and Child." (1 glass).

 File — Box: 75, Folder: 8
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[84] Bruegel, Pieter, the Elder. "Unfaithful Shepherd." (3 glass).

 File — Box: 75, Folder: 9
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947

[85] Bruges Artist. "Crucifixion." (1 glass).

 File — Box: 75, Folder: 10
Scope and Contents From the Sub-Series: Film and glass plate negatives make up this series, and with the corresponding index cards, offer the most complete record of Rosen's photographic studies and restoration work. Rosen apparently numbered the negatives in the order in which he photographed the paintings, making his studies of Daumier his first project. With a number assigned to each painting, the various photographic techniques used on each work of art were coded as alphabetical extensions to each number. Every negative is...
Dates: circa 1936-1947