Box 31
Container
Contains 15 Results:
Rembrandt Harmensz. van Rijn. "The Finding of Moses." [215] (9 prints)., undated
File — Box: 31, Folder: 1
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Rembrandt Harmensz. van Rijn, attributed to. "Head of Christ." [216] (8 prints)., undated
File — Box: 31, Folder: 2
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Rembrandt Harmensz. van Rijn. "Portrait of a Man." [494] (34 prints)., undated
File — Box: 31, Folder: 3
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Rembrandt Harmensz. van Rijn. Unknown title. [353] (12 prints). 1:2., undated
File — Box: 31, Folder: 4
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Rembrandt Harmensz. van Rijn. Unknown title. [353] (12 prints). 2:2., undated
File — Box: 31, Folder: 5
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Renoir, Auguste. "The Bathers." (7 prints)., undated
File — Box: 31, Folder: 6
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Renoir, Auguste. "Moulin de la Gallette." (5 prints)., undated
File — Box: 31, Folder: 7
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Renoir, Auguste. "Portrait of A Man." [218] (6 prints)., undated
File — Box: 31, Folder: 8
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Renoir, Auguste?. Unidentified. (2 prints)., undated
File — Box: 31, Folder: 9
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Ribera, Jusepe de. ["Madonna and Child"]. (1 print)., undated
File — Box: 31, Folder: 10
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated