Box 26
Container
Contains 12 Results:
Marmion, Simon. "Crucifixion." [161] (18 prints)., undated
File — Box: 26, Folder: 1
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Marmion, Simon. "Saint Jerome." [162] (23 prints)., undated
File — Box: 26, Folder: 2
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Marmion, Simon. "Saint Jerome." [162] (25 prints)., undated
File — Box: 26, Folder: 3
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Marmion, Simon. "Saint Jerome." [162] (16 prints)., undated
File — Box: 26, Folder: 4
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Masolino da Panicale. "Saints Peter and Paul" and "Evangelist and St Martin." [493] (21 prints)., undated
File — Box: 26, Folder: 5
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Massys, Quentin. "The Fool." [254] (3 prints)., undated
File — Box: 26, Folder: 6
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Massys, Quentin. "Maria Egyptiacirca" [163] (6 prints)., undated
File — Box: 26, Folder: 7
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Massys, Quentin. "Saint Mary Magdalene." (6 prints)., undated
File — Box: 26, Folder: 8
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Massys, Quentin. "Rest on Flight into Egypt." (1 print)., undated
File — Box: 26, Folder: 9
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Master of the Embroidered Foliage. "Madonna and Child." [174] (6 prints)., undated
File — Box: 26, Folder: 10
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated