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Box 26

 Container

Contains 12 Results:

Marmion, Simon. "Crucifixion." [161] (18 prints)., undated

 File — Box: 26, Folder: 1
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Marmion, Simon. "Saint Jerome." [162] (23 prints)., undated

 File — Box: 26, Folder: 2
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Marmion, Simon. "Saint Jerome." [162] (25 prints)., undated

 File — Box: 26, Folder: 3
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Marmion, Simon. "Saint Jerome." [162] (16 prints)., undated

 File — Box: 26, Folder: 4
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Masolino da Panicale. "Saints Peter and Paul" and "Evangelist and St Martin." [493] (21 prints)., undated

 File — Box: 26, Folder: 5
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Massys, Quentin. "The Fool." [254] (3 prints)., undated

 File — Box: 26, Folder: 6
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Massys, Quentin. "Maria Egyptiacirca" [163] (6 prints)., undated

 File — Box: 26, Folder: 7
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Massys, Quentin. "Saint Mary Magdalene." (6 prints)., undated

 File — Box: 26, Folder: 8
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Massys, Quentin. "Rest on Flight into Egypt." (1 print)., undated

 File — Box: 26, Folder: 9
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Master of the Embroidered Foliage. "Madonna and Child." [174] (6 prints)., undated

 File — Box: 26, Folder: 10
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated