Box 22
Container
Contains 14 Results:
Francesco di Vannuccio. "Crucifixion." [361] (2 prints)., undated
File — Box: 22, Folder: 1
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
French, 14th century, unidentified. "Christ." (3 prints)., undated
File — Box: 22, Folder: 2
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
French, unidentified. "Virgin and Child with Virtues." (8 prints). 1:2., undated
File — Box: 22, Folder: 3
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
French, unidentified. "Virgin and Child with Virtues." (8 prints). 2:2., undated
File — Box: 22, Folder: 4
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Frey, Erwin. "Georgia." Marble figure. (5 prints)., undated
File — Box: 22, Folder: 5
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Gainsborough, Thomas. "Portrait of A Boy." (1 print)., undated
File — Box: 22, Folder: 6
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Gandarias (Guatamala) Collection. Incl. catalogue listing. (25 prints)., undated
File — Box: 22, Folder: 7
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Gassel, Lucas van. "Flight into Egypt." [253] (23 prints)., undated
File — Box: 22, Folder: 8
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Géricault, Théodore [copy after]. "Carbon Wagon." [131] (6 prints)., undated
File — Box: 22, Folder: 9
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Ghirlandaio, Ridolfo. "Portrait of Andrea Bandini." [132] (4 prints)., undated
File — Box: 22, Folder: 10
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated