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Box 11

 Container

Contains 16 Results:

Daumier, Honoré. "Les Amateurs." (4 prints)., undated

 File — Box: 11, Folder: 13
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Daumier, Honoré. "L'Attente." [303; X-24] (4 prints)., undated

 File — Box: 11, Folder: 14
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Daumier, Honoré. "L'Attente." [303; X-24] (18 prints)., undated

 File — Box: 11, Folder: 15
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Daumier, Honoré. "L'Attente." [303; X-23] (11 prints)., undated

 File — Box: 11, Folder: 16
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Cosimo, Piero di. "Virgin and Child." (6 prints)., undated

 File — Box: 11, Folder: 1
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Courbet, Gustave. "Landscape." [312] (2 prints)., undated

 File — Box: 11, Folder: 2
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Courbet, Gustave. (Fake). "Landscape and Stream." (1 print)., undated

 File — Box: 11, Folder: 3
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Courbet, Gustave. "Portrait of a Man." [117] (4 prints)., undated

 File — Box: 11, Folder: 4
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated

Courbet, Gustave. "Portrait of a Woman." [69] (9 prints).

 File — Box: 11, Folder: 5
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: circa 1936-1965; Majority of material found within circa 1936-1947

Courbet, Gustave. "Waves." (1 print)., undated

 File — Box: 11, Folder: 6
Scope and Contents From the Sub-Series: Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates: undated