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7. Manuscript Collections

 Record Group
Identifier: 7

Found in 48 Collections and/or Records:

A. E. (Albert Eugene) Gallatin Papers

Identifier: GAL

These three scrapbooks document the Museum of Living Art founded by the collector and art historian Albert Eugene Gallatin. The scrapbooks contain newspaper and magazine clippings, press releases and announcements of exhibitions, acquisitions and new publications. The later addition of material from Gallatin's grand-nephew, William Nichols, contains documents and photographs to do with Gallatin's collecting and his relationship with the Philadelphia Museum of Art.

Dates: 1926-1952

Alexina and Marcel Duchamp Papers

Identifier: MDP

The Alexina and Marcel Duchamp Papers are comprised of personal papers of Marcel Duchamp as well as published material documenting the artist and his work that were compiled and organized by his widow, Alexina Duchamp. The collection is comprised of approximately 800 personal photographs; a small portion of Duchamp's correspondence; his lecture notes and transcripts; vital records; transcripts of several interviews with Duchamp; and published material concerning the artist.

Dates: circa 1886-1990, undated

Anne Terhune Research Collection of Thomas Hovenden

Identifier: TER

Art historian Anne Gregory Terhune created these records in her research of Irish-American artist Thomas Hovenden.

Dates: circa 1983-2006

Arensberg Archives

Identifier: WLA
Abstract Art collectors Walter and Louise Arensberg amassed a seminal collection of modern and Pre-Columbian art between 1913 and 1950, when they presented it to the Philadelphia Museum of Art. The Arensberg Archives contain correspondence, ephemera, clippings, writings, personal and art collection records, and photographs documenting the couple's art collecting activities as well as their friendship with many important artists, writers and scholars, including Marcel Duchamp, Charles Sheeler, Walter...
Dates: 1905-1957, undated

Arthur Edwin Bye Papers

Identifier: BYE

This collection consists of four scrapbooks that reflect some of Arthur Edwin Bye's varied interests and professional practices as well as two samples of his writings on art.

Dates: 1903-1907, 1920-1965, undated

Beatrice Wood Collection

Identifier: BWC
Abstract This collection includes archival material documenting the life and work of Beatrice Wood (1893-1998), a central figure in the New York Dada movement and a notable ceramicist. The collection contains contributions by both Beatrice Wood and Conrad C. M. Arensberg, the great nephew of Walter C. Arensberg, one of Wood's close friends. It includes documentation of several exhibitions and events; photographs of Woods, her friends, and her artwork; and, letters from Wood to Conrad Arensberg and...
Dates: 1917-2001; Majority of material found within 1978-2001

Calvin Hathaway Papers

Identifier: CHP

These papers document Calvin Hathaway's museum work and time spent in the Army, where he was in the Monuments, Fine Arts and Archives Division.

Dates: 1933-1973

Carl Zigrosser Collection

Identifier: CZC

This collection consists primarily of the materials Carl Zigrosser began to compile in 1942 about American artists, which he called the Archives of American Art.

Dates: 1866-1969

Christian Brinton Research Collection

Identifier: BRI
Abstract Through his writings and the exhibitions he curated, Christian Brinton (1870-1942) promoted modern and contemporary art, particularly from areas outside of the traditional western European school, and has been credited with introducing Nordic, Slavic and Teutonic modernism to America. This collection consists of material compiled by Brinton pertaining to multiple contemporary artists, with the most material on the Spanish painter Ignacio Zuloaga, the Russian sculptor Prince Paul Troubetzkoy,...
Dates: 1902-1938

Daniel M. Williams Biographical Collection of George Grey Barnard

Identifier: DMW
Abstract This collection documents the efforts of journalist Daniel M. Williams to refine and publish a biography of the American sculptor and collector George Grey Barnard. While the project never came to fruition, the collection represents approximately 30 years of Williams's accumulated research and writings, and consists of correspondence, including some of Barnard's personal letters to his family, as well as clippings, ephemera and photographs regarding the artist's life and career as a sculptor...
Dates: 1863-1969, undated