Church at Blainville;
Portrait of Marcel Lefrançois;
Portrait of Suzanne Duchamp;
For the Menu of Simone Delacour's First Communion Dinner;
Portrait of the Artist's Father;
Nude;
Portrait of Dr. Dumouchel;
The Chess Game;
Paradise (Adam and Eve);
The Bush;
Baptism;
Yvonne and Magdeleine Torn in Tatters;
Sonata;
Portrait (Dulcinea);
Portrait of Chess Players;
Eternal Siesta (Sieste Éternelle);
Once More to This Star (Encore à cet astre);
Nude Descending a Staircase (No. 1);
Nude Descending a Staircase (No. 2);
The King and Queen Traversed by Swift Nudes;
The King and Queen Traversed by Swift Nudes at High Speed;
The King and Queen Surrounded by Swift Nudes;
Virgin (No. 1);
Virgin (No. 2);
Bride;
Chocolate Grinder (No. 1);
Boxing Match (Combat de Boxe);
Cemetery of Uniforms and Liveries (No. 1);
Bicycle Wheel;
Draft Piston (Piston de courant d'air);
To Have the Apprentice in the Sun (Cyclist);
The Box of 1914;
Original manuscript notes for The Box of 1914 with additional material;
Chocolate Grinder (No. 2);
Bottlerack;
The;
Glider Containing a Water Mill in Neighboring Metals;
Fania (Profile);
Rendezvous of Sunday, February 6, 1916 (Rendez-vous du Dimanche 6 Février 1916);
Comb;
With Hidden Noise;
Nude Descending a Staircase (No. 3);
Apolinère Enameled;
The Blind Man (No.1);
The Blind Man (No.2);
Rongwrong (No. 1);
Recipe (Recette);
Farewell to Florine (Adieu à Florine);
50 cc of Paris Air;
Oculist Witnesses (Témoins Oculistes);
Why Not Sneeze, Rose Sélavy?;
The Bride Stripped Bare by Her Bachelors, Even (The Large Glass);
Sketch for Precision Optics (Croquis pour Optique de Précision);
Opposition and Sister Squares are Reconciled by M. Duchamp & V. Halberstadt (L'Opposition et les cases conjuguées sont réconciliées par M. Duchamp & V. Halberstadt);
Opposition and Sister Squares are Reconciled by M. Duchamp & V. Halberstadt (L'Opposition et les cases conjuguées sont réconciliées par M. Duchamp & V. Halberstadt);
The Bride Stripped Bare by Her Bachelors, Even (The Green Box);
Rotoreliefs (Optical Disks);
Bookbinding for Ubu Roi, by Alfred Jarry;
Box in a Valise (Boîte-en-Valise);
First Papers of Surrealism;
Pocket Chess Set;
VVV Portfolio (New York: VVV, 1942);
View (series V., no. 1);
Cover of Young Cherry Trees Secured Against Hares;
Cover design for Le Surréalisme en 1947;
Le Surréalisme en 1947, catalogue of the Exposition Internationale du Surréalisme, Galerie Maeght, Paris, July - August 1947, with Please Touch (Prière de Toucher);
Feuille de vigne femelle (Female Fig Leaf);
Objet-dard (Dart-object);
Moonlight on the Bay at Basswood;
Dada: 1916-1923, Sidney Janis Gallery, New York, April 15 to May 9, 1953;
Dada: 1916-1923, Sidney Janis Gallery, New York, April 15 to May 9, 1953;
Quatre inédits de Marcel Duchamp;
Dressed to the Nines (Tiré à quatre épingles);
Sketch for Anagramme, for Pierre de Massot;
Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . );
Manual of Instructions for the assembly of Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage;
In the Infinitive (À l'infinitif) (The White Box);
The Large Glass and Related Works with Nine Etchings by Marcel Duchamp on the Theme of The Lovers, Volume 2 (Milan: Galleria Schwarz, 1968)
