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Hinchman, Margaretta Shoemaker, 1876-

 Person

Found in 7 Collections and/or Records:

Hinchman, Margaretta Shoemaker, 1952

 File — Box: 8, Folder: 45
Scope and Contents From the Sub-Series: As the correspondents in this sub-subseries make evident, McIlhenny cultivated a social network that reached across noted names in all the arts, as well as titled gentry, royalty and political figures. Whenever celebrities of the stage, screen or concert hall were performing in Philadelphia, McIlhenny would invite them to his home at Rittenhouse Square, just a stone's throw away from the major theatres and hotels. Although they could not always accept the offer, invitees included Noel...
Dates: 1952

Hinchman, Margaretta Shoemaker, 1933-1937

 File — Box: 31, Folder: 18
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1933-1937

Hinchman, Margaretta Shoemaker, 1925-1926

 File — Box: 1, Folder: 26
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1925-1926

Hinchman, Margaretta Shoemaker, 1927-1928

 File — Box: 6, Folder: 4
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1927-1928

Hinchman, Margaretta Shoemaker, 1953-1954

 File — Box: 95, Folder: 14
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1953-1954

Hinchman, Margaretta Shoemaker, 1949-1950

 File — Box: 70, Folder: 12
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1949-1950

Hinchman, Margaretta Shoemaker, 1951-1952

 File — Box: 83, Folder: 5
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952