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Pope, Arthur Upham, 1881-1969

 Person

Found in 14 Collections and/or Records:

Pope, Arthur Upham, 1964

 File — Box: 14, Folder: 55
Scope and Contents From the Sub-Series: As the correspondents in this sub-subseries make evident, McIlhenny cultivated a social network that reached across noted names in all the arts, as well as titled gentry, royalty and political figures. Whenever celebrities of the stage, screen or concert hall were performing in Philadelphia, McIlhenny would invite them to his home at Rittenhouse Square, just a stone's throw away from the major theatres and hotels. Although they could not always accept the offer, invitees included Noel...
Dates: 1964

Pope, Arthur Upham, 1925-1926

 File — Box: 2, Folder: 10
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1925-1926

Pope, Arthur Upham, 1929-1931, undated

 File — Box: 141, Folder: 7
Scope and Contents From the Sub-Series: The bulk of material in this subseries is internal correspondence, most often between Kimball and the particular staff member. Advisers are also represented. Additional correspondence between curatorial personnel and individuals or organizations outside the museum remains in the "General correspondence and related material" series. The "Administrative issues" series, "Personnel" subseries contains Kimball's correspondence with curator/assistant director Henri Marceau as well as any...
Dates: 1929-1931, undated

Pope, Arthur Upham, May-December 1931

 File — Box: 141, Folder: 8
Scope and Contents From the Sub-Series: The bulk of material in this subseries is internal correspondence, most often between Kimball and the particular staff member. Advisers are also represented. Additional correspondence between curatorial personnel and individuals or organizations outside the museum remains in the "General correspondence and related material" series. The "Administrative issues" series, "Personnel" subseries contains Kimball's correspondence with curator/assistant director Henri Marceau as well as any...
Dates: May-December 1931

Pope, Arthur Upham, 1932

 File — Box: 141, Folder: 10
Scope and Contents From the Sub-Series: The bulk of material in this subseries is internal correspondence, most often between Kimball and the particular staff member. Advisers are also represented. Additional correspondence between curatorial personnel and individuals or organizations outside the museum remains in the "General correspondence and related material" series. The "Administrative issues" series, "Personnel" subseries contains Kimball's correspondence with curator/assistant director Henri Marceau as well as any...
Dates: 1932

Pope, Arthur Upham,, 1933-1935

 File — Box: 141, Folder: 11
Scope and Contents From the Sub-Series: The bulk of material in this subseries is internal correspondence, most often between Kimball and the particular staff member. Advisers are also represented. Additional correspondence between curatorial personnel and individuals or organizations outside the museum remains in the "General correspondence and related material" series. The "Administrative issues" series, "Personnel" subseries contains Kimball's correspondence with curator/assistant director Henri Marceau as well as any...
Dates: 1933-1935

Pope, Arthur Upham, 1936-1937

 File — Box: 141, Folder: 12
Scope and Contents From the Sub-Series: The bulk of material in this subseries is internal correspondence, most often between Kimball and the particular staff member. Advisers are also represented. Additional correspondence between curatorial personnel and individuals or organizations outside the museum remains in the "General correspondence and related material" series. The "Administrative issues" series, "Personnel" subseries contains Kimball's correspondence with curator/assistant director Henri Marceau as well as any...
Dates: 1936-1937

Pope, Arthur Upham, 1938-1940

 File — Box: 141, Folder: 13
Scope and Contents From the Sub-Series: The bulk of material in this subseries is internal correspondence, most often between Kimball and the particular staff member. Advisers are also represented. Additional correspondence between curatorial personnel and individuals or organizations outside the museum remains in the "General correspondence and related material" series. The "Administrative issues" series, "Personnel" subseries contains Kimball's correspondence with curator/assistant director Henri Marceau as well as any...
Dates: 1938-1940

Pope, Arthur Upham, 1927-1928

 File — Box: 7, Folder: 17
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1927-1928

Pope, Arthur Upham, 1943-1954

 File — Box: 40, Folder: 5
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1943-1954